This episode is perfect for anyone interested in the work of an artistic director of a ballet company and a career in ballet and modern dance.
IN THIS EPISODE
- Hope reflects on her first year as artistic director of the Charlotte Ballet and what surprised her.
- She explains what an artistic director does and what part of her work she loves the most.
- She describes what someone would have seen if they watched the ballet The Most Incredible Thing and the significance of presenting it.
- She talks about the pros and cons of touring as a company.
- Hope answers why Charlotte Ballet does not identify any of its dancers as principal dancers.
- She considers the responsibility of artistic directors to connect what is on stage with social realities in the world.
- She answers whether she would stage gay and lesbian themes on stage.
- She explains how she assesses a dancer and what traits in a dancer she is drawn to and excites her.
- Hope shares whether she sees any changes in the composition of the dance company at Charlotte Ballet
- She discusses whether there is space on stage for older dancers and what project and role would bring her back on stage.
- She talks about deciding what not to do, what choreographers she would like to bring to Charlotte, and the ‘bespoke repertoire‘ she wants to create.
- She remembers growing up in Toronto and what drew her to dance.
- Hope notes the turning point in her dance career and what she learned about herself as a young dancer.
- She answers whether the Charlotte Ballet is a stepping-stone job for her and whether she would take the call to become the artistic director of a national ballet company.
- She shares what informs her intellectually and what she values most.