This episode is perfect for anyone interested in theater making, the fractal nature of existence, Zen koans, magical realism and accessing the sublime.
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Matt discusses the term ‘theater maker,’ theater as an art form, and the role of the audience in witnessing theater.
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He talks about the presence of clowns and the absurd in his work.
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He discusses inviting people into a liminal space of reality, accessing the sublime, and connecting to the sacredness of the present.
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Matt talks about reconciling faith with skepticism, the fractal nature of existence and eternal return.
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He considers whether his work is similar to Zen koans, whether he feels an obligation to entertain, and the influence of David Lynch, Magical Realists and the Romantics.
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Matt talks about being born in California, his genetic predispositions, and having a ‘Lucifer complex.’
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He recalls the biography that led him to read Symbolist poetry and considers whether his plays are chapters from one book.
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Matt reveals the people who haunt his work and what is beyond the veil.